San Francisco, Sept. 26, 2017 (GLOBE NEWSWIRE) -- The Asian Art Museum, one of San Francisco’s foremost cultural institutions, today unveiled details of a $90 million investment in the museum’s future, one that will transform public engagement — both locally and globally — with the world-renowned collection, exhibitions and cultural programs offered by the city-owned museum.

The Akiko Yamazaki & Jerry Yang Pavilion (exterior), concept design by wHY, 2017. Rendering © wHY and Asian Art Museum.

The Akiko Yamazaki & Jerry Yang Pavilion (gallery interior), concept design by wHY, 2017. Rendering © wHY and Asian Art Museum.


In early 2018, construction will begin on the centerpiece of this transformation: a new, 13,000-square-foot exhibition Pavilion and Art Terrace added to the east, Hyde Street side of the museum’s Civic Center home (The beaux arts building was originally constructed in 1917 as the city’s main library and was repurposed as the museum by Italian architect Gae Aulenti in 2003. It is a contibutory building to the historic Civic Center Landmark District).

Designed by architect Kulapat Yantrasast of wHY, the Pavilion — characterized by a rusticated gray terra-cotta tile exterior and gem-shaped bay windows — will allow the museum to increase the number of temporary exhibitions offered each year, and will be one of the nation’s premier venues dedicated to Asian art. 

Other elements of the museum’s transformation include: dedicated spaces for contemporary art experiences; new approaches to displaying masterpieces in the museum’s collection galleries; upgrades to education classrooms and new digital technologies for enhanced interpretation. 

The Pavilion is scheduled to open in summer 2019. The museum will remain open during the transformation project, but collection galleries and some public spaces will close briefly on a rotating basis for reinstallation. Regular updates will be provided on the museum’s website:


For All, The Campaign for the Asian Art Museum

This investment in the museum’s future is supported by For All, the Campaign for the Asian Art Museum. For All is a five-year, $90 million privately funded capital campaign that underpins the transformation project. The campaign ensures the lasting success of the museum by providing financial support for stimulating programs as well as provisioning the endowment’s steady growth. Campaign fundraising prioritizes the construction of the Pavilion and transformation of other public spaces ($38M), for exhibition and program development ($27M) and endowment ($25M).

“Now is the time to make this investment,” says Akiko Yamazaki, chair of the museum’s dual governing boards, the Asian Art Commission and the Asian Art Museum Foundation. “American life is deeply interwoven with Asia, and the need to understand Asia’s history, values and contemporary culture is more essential than ever. The Asian Art Museum can meet this need through the timeless power of art.”

“We believe that encounters with the incredible diversity and rich narratives of Asian art broaden our worldview and encourage us to look and think beyond the borders of our own life experiences,” says Jay Xu, director and CEO of the Asian Art Museum. “By situating Asian art within a global context, juxtaposing art of the past and present and introducing exciting ideas through exhibitions and programs, the transformed museum will offer visitors fresh, meaningful perspectives on the culture of the Bay Area, world history and current events.”

The For All campaign is chaired by Ms. Yamazaki. She and her husband, Silicon Valley entrepreneur Jerry Yang, have pledged a leadership gift of $25 million to the campaign. In recognition of their contribution — the largest financial gift in the museum’s history — the Pavilion will be officially recognized as the Akiko Yamazaki & Jerry Yang Pavilion. To date, 72 donors have contributed more than $60.5 million toward the $90 million goal.


The Pavilion and Art Terrace: The premier exhibition space for Asian art in the U.S.  

With 8,500 square feet of continuous gallery space, the Akiko Yamazaki & Jerry Yang Pavilion will give museum curators the freedom and flexibility to create exhibitions that raise the bar for interpretation, technology and design. Purpose built to industry-standard specifications for large-scale contemporary artworks, the pavilion galleries will bring the museum’s historical collections into dialogue with important new work, amplifying the museum’s voice in the international contemporary art world.

“The goal of the transformation is to tell the vital story of Asian art, from prehistory to the present, as an evolving, globally relevant tradition,” says Jay Xu. “Museum visitors will discover fresh connections between Asian art and the world around them, engaging with the topics and issues that inspire artists working today.”

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